{"product_id":"dialecty-new-minstrelsy-of-the-scottish-border","title":"DIALECTY New Minstrelsy of the Scottish Border","description":"\u003cp\u003eby \u003cspan\u003eHarry Josephine Giles \u0026amp; Martin O’Leary\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0cm; margin-top: 0cm; mso-margin-bottom-alt: 8.0pt; mso-margin-top-alt: 0cm; mso-add-space: auto; line-height: normal; mso-hyphenate: auto;\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\"\u003eBook Works\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0cm; margin-top: 0cm; mso-margin-bottom-alt: 8.0pt; mso-margin-top-alt: 0cm; mso-add-space: auto; line-height: normal; mso-hyphenate: auto;\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\"\u003ePamphlet, 2018\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0cm; margin-top: 0cm; mso-margin-bottom-alt: 8.0pt; mso-margin-top-alt: 0cm; mso-add-space: auto; line-height: normal; mso-hyphenate: auto;\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\"\u003e12 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0cm; margin-top: 0cm; mso-margin-bottom-alt: 8.0pt; mso-margin-top-alt: 0cm; mso-add-space: auto; line-height: normal; mso-hyphenate: auto;\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0cm; margin-top: 0cm; mso-margin-bottom-alt: 8.0pt; mso-margin-top-alt: 0cm; mso-add-space: auto; line-height: normal; mso-hyphenate: auto;\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\"\u003eWe met in the border town of Berwick-Upon-Tweed, built a computer program from repurposed old code and self-authored new code, tweaked and tuned it to the ballad text of Walter Scott’s Minstrelsy of the Scottish Border, and set it to write new ballads in the same form and language. We are asking of the program no more than was expected of the ballads’ first singers; in recording the results, we are as editorial as Scott. The program, as with all poetry, lives in the border zone between success and failure, to teach us something about language, something about poetry, and everything about what it means to create. – from ‘The Computer Writes a New Old Language’, \u003ci\u003eNew Minstrelsy of the Scottish Border\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0cm; margin-top: 0cm; mso-margin-bottom-alt: 8.0pt; mso-margin-top-alt: 0cm; mso-add-space: auto; line-height: normal; mso-hyphenate: auto;\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0cm; margin-top: 0cm; mso-margin-bottom-alt: 8.0pt; mso-margin-top-alt: 0cm; mso-add-space: auto; line-height: normal; mso-hyphenate: auto;\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\"\u003eCommissioned from open submission, Harry Josephine Giles \u0026amp; Martin O’Leary have used a neural network to produce poems that return to the vernacular language found in the ballads and poetry of nineteenth century Scotland and Northern England.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0cm; margin-top: 0cm; mso-margin-bottom-alt: 8.0pt; mso-margin-top-alt: 0cm; mso-add-space: auto; line-height: normal; mso-hyphenate: auto;\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0cm; margin-top: 0cm; mso-margin-bottom-alt: 8.0pt; mso-margin-top-alt: 0cm; mso-add-space: auto; line-height: normal; mso-hyphenate: auto;\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\"\u003eHarry Josephine Giles is a poet and performer and Martin O’Leary is a digital artist and designer: they came together from their different disciplines and perspectives over a shared interest in online texts, twitterbots, procedural generation and computer poetry.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0cm; margin-top: 0cm; mso-margin-bottom-alt: 8.0pt; mso-margin-top-alt: 0cm; mso-add-space: auto; line-height: normal; mso-hyphenate: auto;\"\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0cm; margin-top: 0cm; mso-margin-bottom-alt: 8.0pt; mso-margin-top-alt: 0cm; mso-add-space: auto; line-height: normal; mso-hyphenate: auto;\"\u003e\u003ci\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\"\u003eDialecty\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"mso-ansi-language: EN-GB;\"\u003e, conceived by Maria Fusco with The Common Guild, considers the uses of vernacular forms of speech and writing, exploring how dialect words, grammar and syntax challenge and improve traditional orthodoxies of critical writing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"My Store","offers":[{"title":"Default Title","offer_id":55025720983886,"sku":null,"price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0837\/0680\/6606\/files\/Dialecty_New-Minstrelsy-of-the-Scottish-Border_covermockup-scaled.jpg?v=1761137339","url":"https:\/\/eastbristolbooks.live\/products\/dialecty-new-minstrelsy-of-the-scottish-border","provider":"My Store","version":"1.0","type":"link"}